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Korean hip hop history book9/26/2023 ![]() The success of hopelessness: The evolution of Korean indie music. Hybridity and the rise of Korean popular culture in Asia. Social Anthropology/Anthropologie Sociale, 22(1), 36–51. Itaewon’s suspense: Masculinities, place-making and the US Armed Forces in a Seoul entertainment district. Mitchell (Ed.), Global noise: Rap and hip-hop outside the USA. Who is a dancing hero? Rap, hip-hop and dance in Korean popular culture. The landscape of club culture and identity politics: Focusing on the club culture in the Hongdae area of Seoul. Open mic: Professionalizing the rap career. ![]() Globalization of African American vernacular English in popular culture: Blinglish in Korean hip hop. Terkourafi (Ed.), The languages of global hip hop. Glocalizing keepin’ it real: South Korean hip-hop playas. Middleton (Eds.), The cultural study of music: A critical introduction. Music, space and place: The geography of music. Itaewon as an alien space within the nation-state and a place in the globalization era. Berkeley: University of California Press. Capturing sound: How technology has changed music. Spreadable media: Creating value and meaning in a networked culture. Music and mediation: Toward a new sociology of music. Hip-hop Japan: Rap and the paths of cultural globalization. Don Malik: The real underground scene starts now. New York: New York University Press.īorn, G. Authentic: The politics of ambivalence in a brand culture. Club culture as cultural text: Textual structure of Hongdae club culture and cultural practice. It has become one of the most notable hip-hop labels, recruiting Young B, Kid Milli, Justhis, Jvcki Wai, and Noel.įor more news, keep your tabs open here at KpopStarz.Ahn, Y.-r. In April 2017, it established its second label, Indigo Music. The label currently represents Black Nut, Giriboy, Genius Nochang, C Jamm, and Vasco. Swings left the label Brand New Music in August 2014 to focus on his record label, Just Music. In 2014, he returned to Show Me the Money as a producer for its third season, alongside established rappers, including San E and Tablo. Swings were named Artist of the Year for 2013 by Korean hip hop magazine "Hip-hop Playa." That summer, Swings triggered a "Control diss phenomenon" within the Korean hip hop scene with the release of his diss track "King Swings Part 2", over the instrumental of Big Sean's "Control," in which he accused rapper Simon Dominic of not protecting his Supreme Team member E-Sens from an alleged slave contract offered by label Amoeba Culture. He gained popularity after competing in the second season of the TV rap competition "Show Me" the Money in 2013. He released his first full-length album, Growing Pains, in 2010. He joined the hip hop group Uptown in 2009 but left by the end of the year. Swings debuted in 2008 with the extended play Upgrade. ![]() Formerly under the label Brand New Music, he is currently contracted under his record label, Just Music. ![]() Moon Ji-hoon, better known by the stage name Swings, is a South Korean rapper. The work is a coincidence," he emphasized again. Sometimes it happens, but I wasn't fortunate. 6." Since Swings is racking up more and more popularity with 'Show Me the Money,' this timing is important to us," he wrote.įinally, the designer asks the rhetorical question, "Is there a lot to gain from plagiarism? Is there a lot to lose?" Do you have anything to do?" Swings responded to the plagiarism controversy by saying, "I'm innocent. Regarding the release, the designer explained, "I did not see Song Min-ho's album until I handed over all the files to the print shop on Nov. Gothic is strong and hard, and Myeongjo is decorative, soft, and lyrical." It fits well with the direction of the book." Concerning the font, the designer said, "I can only think of Gothic fonts and sans serifs. Orange is intense, passionate, and bold, but less direct and sophisticated than red. Swings's side has published a news story that contains a description of the designer in charge of designing the cover for Swings' essay collection "HEAT." The designer said, "The title 'Heat,' the orange background, and then cover with a simple feeling came from the planning stage.
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